I don't think the paragraph metaphor works well since written works are often read front to back, and the organizational hierarchy isn't so important on such a linear medium. There are books that buck the trends and IMO you don't really notice the weirdness once you get going. E.g. books with long sentences that take up the whole paragraph, or paragraphs that take up the whole page, or both at the same time. Some books don't have paragraphs at all, and some books don't have chapters.
Splitting material into individual books makes a little more sense as a metaphor, especially if it's not a linear series of books. You can't just split a mega-book into chunks. Each book needs to be somewhat freestanding. Between books, there is an additional purchasing decision introduced. The end of one book must convince you to go buy the next book, which must have an interesting cover and introduction so that you actually buy it. It might need to recap material in a previous book or duplicate material that occurs elsewhere non-linearly.
A new book has an expected cost and length. We expect to pay 5-20 dollars for a few hundred pages of paperback to read for many hours. We wouldn't want to pay cents for a few pages at a time every 5 minutes. (or if we did, it would require significantly different distribution like ereaders with micropayments or advertising). Some books are produced as serials and come with tradeoffs like a proliferation of chapters and a story that keeps on going.
Anyway, it's a very long way to say that some splitting is merely style, some splitting has deeper implications, the splits can be too big or too small, and some things might not need splits at all.
Splitting material into individual books makes a little more sense as a metaphor, especially if it's not a linear series of books. You can't just split a mega-book into chunks. Each book needs to be somewhat freestanding. Between books, there is an additional purchasing decision introduced. The end of one book must convince you to go buy the next book, which must have an interesting cover and introduction so that you actually buy it. It might need to recap material in a previous book or duplicate material that occurs elsewhere non-linearly.
A new book has an expected cost and length. We expect to pay 5-20 dollars for a few hundred pages of paperback to read for many hours. We wouldn't want to pay cents for a few pages at a time every 5 minutes. (or if we did, it would require significantly different distribution like ereaders with micropayments or advertising). Some books are produced as serials and come with tradeoffs like a proliferation of chapters and a story that keeps on going.
Anyway, it's a very long way to say that some splitting is merely style, some splitting has deeper implications, the splits can be too big or too small, and some things might not need splits at all.