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I once worked with a guy who was a close personal friend of Vernor, and I remember with much joy the enormous collection of science fiction he (the friend) had at his place .. literally every wall was covered in paperback shelves, and to my eyes it was a wonderland.

I casually browsed every shelf, enamoured with the collection of scifi .. until I got to what I can only describe as a Golden Book Shrine Ensconced in Halo of Respect - a carefully maintained, diligently laid out bookshelf containing every single thing Vernor Vinge had written. Everything, the friend said, including stuff that Vernor had shared with him that would never see the light of day until after he passed away. I wonder about that guy now.

It wasn't my first intro to Mr. Vinge, but it was my first intro to the fanaticism and devotion of his fan base - that in itself, was a unique phenomenon to observe. Almost religious.

Which, given Mr. Vinge's works, is awe-inspiring, ironic and tragic at the same time.

For me, it was a singular experience, realizing that science fiction literature as a genre was far more vital and important to our culture than it was granted in the mainstream. (This was the mid-90's)

Science Fiction authors are capable of inculcating much inspiration and wonder in their fans yet "scifi" is often used in a derogatory way among the literature cognescenti. Alas, this myopia occludes a great value to society, and I thank Mr. Vinge - and his fanboix - for bringing me to a place where I understood it was okay to value science fiction as a motivational form. That Golden Book Shrine Ensconced in Halo was itself a gateway to much wonder and awe.



Science Fiction - the literature - is so different from all other media forms of SciFi there needs to be a formal separate of Science Fiction Literature from SciFi films, live action and animated series, games, and comic books. These other forms, SciFi, are the cartoon abbreviated to something else that is fun, adventure but is not Science Fiction (Literature) and the existential examination of how Science Changes Reality.


Well, you have a point, but the separation is hardly as stark as all that. Both film and television have works that definitely qualify as Science Fiction, and some are even original rather than adaptations from books.

A few examples: 2001: A Space Odyssey, Fantastic Voyage, Moon, much of Twilight Zone and Outer Limits, Prospect, etc.

And for that matter there is plenty of SciFi in print as well, and it isn't all novelizations of movies and TV shows.

There is certainly more room for exposition in a novel (a fact which plenty of authors have abused over the decades, and plenty of directors have abdicated responsibility for by tacking on lengthy voiceover or on-screen text introductions), which often allows for more complete worldbuilding to explore whatever contrafactual premise the story is built around, but it is possible on-screen as well, as long as you don't rely solely on the dialog to convey it. For that matter, books shouldn't rely solely on the dialog for that purpose either.

Of course, on-screen dramatic works aren't the only ones that face the problem of conveying a setting in few words. Novellas, novelettes, and short stories have similar constraints to various degrees.


Absolutely, in the same way that there are tabloid forms of journalism, citizen, and authoritative forms, also.

For me the distinction is in the nature of speculation. If you speculate about some facet, and it seems feasible but fantastic, this is the event horizon at which the subject becomes useful as well as entertaining. It was no doubt of great utility to the original developers of satellites to have had Arthur C. Clarkes' models in their minds.

However, its hardly viable to speculate about regular use of teleportation or faster than light travel .. unless, of course, we end up getting these things because some kid read a story and decided it could be done, in spite of the rest of the worlds feeling about it ..




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