"Good writing" nearly always collides with something else, for example a writer paid by the word. Or a writer granted too little time to compose prose, as opposed to merely creating it.
A shorter exposition is nearly always (a) better, and (b) more work. I'm reminded of Mark Twain's remark, “I didn't have time to write a short letter, so I wrote a long one instead.”
An underlying cause is that people don't read enough, before presuming to write. This results in malaprops like "reign him in", an example I see almost daily now. (A monarch reigns over a kingdom, a cowboy reins in a horse.) Examples abound, this is a common one.
Even worse, I now see automatic grammar checkers making ungrammatical "corrections" (incorrections?) like replacing "its" with "it's," or the reverse, but in the wrong circumstances.
But my all-time greatest annoyance are constructions like "Similar effect to ...", which in nearly all cases ought to be "Effect similar to ..." with copious variations, all wrong. Online searches discover that, in many such cases, the wrong form prevails over the right one.
Someone may object that language is an art form without fixed rules, that seems right. But granted that truth, many popular word sequences sound like fingernails on a chalkboard.
A shorter exposition is nearly always (a) better, and (b) more work. I'm reminded of Mark Twain's remark, “I didn't have time to write a short letter, so I wrote a long one instead.”
A classic writing book, now nearly forgotten -- "Strunk & White"/"The Elements of Style" (https://en.wikipedia.org/wiki/The_Elements_of_Style) -- famously exhorts authors to "Make every word count."
An underlying cause is that people don't read enough, before presuming to write. This results in malaprops like "reign him in", an example I see almost daily now. (A monarch reigns over a kingdom, a cowboy reins in a horse.) Examples abound, this is a common one.
Even worse, I now see automatic grammar checkers making ungrammatical "corrections" (incorrections?) like replacing "its" with "it's," or the reverse, but in the wrong circumstances.
But my all-time greatest annoyance are constructions like "Similar effect to ...", which in nearly all cases ought to be "Effect similar to ..." with copious variations, all wrong. Online searches discover that, in many such cases, the wrong form prevails over the right one.
Someone may object that language is an art form without fixed rules, that seems right. But granted that truth, many popular word sequences sound like fingernails on a chalkboard.